Following a supporting turn in "Creator" (1985), she starred as a student at a Catholic boarding school who runs away with an escaped convict (Craig Sheffer) from a nearby prison in the romantic drama "Fire with Fire" (1986). Scott as the notorious fascist dictator in the three-part miniseries "Mussolini: The Untold Story" (NBC, 1985). Madsen next made for a golden blonde version of the historically dark and brooding Claretta Petacci opposite George C. In "The Hearst and Davies Affair" (ABC, 1985), she played actress Marion Davies to Robert Mitchum's newspaper magnate William Randolph Hearst. At this early point in her career, Madsen gained attention playing glamorous companions of larger-than-life men in several made for television movies. She had her first starring role in the sci-fi romantic comedy, "Electric Dreams" (1984), playing the object of affection for her nebbish neighbor (Lenny Von Dohlen). Madsen soon made her film debut with a small part in the teen sex comedy, "Class" (1983), starring Rob Lowe and Andrew McCarthy, which she followed with a thankless performance as Princess Irulan in David Lynch's painful adaptation of "Dune" (1984). She further enhanced her training by attending the Ted Liss Acting Studio in Chicago and the Harand Camp Adult Theater Seminar in Elkhart Lake, WI. After graduating from New Trier High School, Madsen attended Northwestern University while taking summer classes in theater and drama. Alongside her brother, Michael Madsen, who also became a popular actor, she studied dancing and acting throughout her childhood, while often serving as her brother's assistant when he performed magic shows for family.
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Tarantino thought the venue would be perfect, recalling ““Well, finally I have an audience that won’t walk out.’ Five people walk out of that audience, including Wes Craven! The fucking guy who did Last House on the Left left and walked out?! My movie was apparently too tough for him.Born in Winnetka, IL, Madsen was raised by her father, Cal, a fireman, and her mother, Elaine, an author, p t and Emmy-winning documentarian. The record was 33 audience members leaving at one time, but the director’s biggest point of pride was watching Wes Craven stand up and leave the movie - at a splatter film festival, no less. Tarantino ended up counting how many people walked out of each screening as he toured the film around the festival circuit. Blonde led to what ended up being one of the most iconic scenes in the film, and Tarantino’s favorite: the torture scene. After the movie’s tumultuous world premiere screening at the Sundance Film Festival, Buscemi apparently came up to Tarantino worried that people were saying “the torture ruins the movie!” Tarantino’s response was classic Tarantino: “What are you talking about? It’s the best thing in the fucking movie! You see how many people walked out? That’s the shit!”
No doubt the director was happy with his hardline decision, as Madsen’s turn as Mr. Blonde or you’re not in the movie.'” We know how that turned out. Pink’s scenes, and Quentin just stood there watching me, and at the end, I was done and I thought I had done a really great job and I was like, ‘OK, now I get a lot of scenes with Harvey now, this is gonna be good.’ And Quentin looks at me and goes, ‘Mmm, you’re not Mr. “I went through the whole thing: I did all of Mr. “Quentin actually let me do it even though I was already Mr. Pink that he convinced Tarantino to let him read for the part.
Elsewhere in the discussion, Tarantino recalled how everyone who ended up in the film initially wanted a different role, except for Roth. Madsen in particular was so set on playing Mr.
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